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Bach Bibliography Search Result |
Series : ^MQ$Your search has generated the following results ...
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Output sorted : by Title (table)
| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Mendel, Arthur | A Brief Note on Triple Proportion in Schuetz. | MQ | 46 | 1 | 67-70 | ||
| | 2. | Fuller, David R. | Accompanied keyboard music. | MQ | 60 | 2 | 222-245 | ||
| | 3. | Albrecht, Otto E. | Adventures and Discoveries of a Manuscript Hunter. | MQ | 31 | 4 | 492-503 | ||
| | 4. | Herz, Gerhard | A 'New' Bach Portrait. | MQ | 29 | 2 | 225-241 | ||
| | 5. | Stevens Becker, Claudia | A new look at Schumann's impromptus. | MQ | 67 | 4 | 568-586 | ||
| | 6. | Donington, Robert | A Problem of Inequality. | MQ | 53 | 4 | 503-517 | ||
| | 7. | Babitz, Sol | A problem of Rhythm in Baroque music. | MQ | 38 | 4 | 533-565 | ||
| | 8. | Geiringer, Karl | Artistic interrelations of the Bachs. | MQ | 36 | 3 | 363-374 | ||
| | 9. | Reis, Joan S. | A third Gainsborough portrait of Johann Christian Bach? | MQ | 74 | 2 | 295-302 | ||
| | 10. | Sachs, Curt | Bach and Blavet. | MQ | 30 | 1 | 84-86 | ||
| | 11. | Barbour, J. Murray | Bach and the Art of Temperament. | MQ | 33 | 1 | 64-89 | ||
| | 12. | Malloch, William | Bach and the French Ouverture. | MQ | 75 | 2 | 174-197 | ||
| | 13. | Walters, Raymond | Bach at Bethlehem, Pennsylvania. | MQ | 21 | 2 | 179-189 | ||
| | 14. | Abert, Hermann | Bach, Beethoven, Brahms. | MQ | 13 | 2 | 329-343 | ||
| | 15. | Blume, Friedrich | Bach in the Romantic Era. | MQ | 50 | 3 | 290-306 | ||
| | 16. | Josephson, Nors S. | Bach Meets Liszt: Traditional Formal Structures and Performance Practices in Progressive Rock. | MQ | 76 | 1 | 67-92 | ||
| | 17. | Müller, Joseph | Bach Portraits. | MQ | 21 | 2 | 155-165 | ||
| | 18. | Neumann, Frederick | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. | MQ | 71 | 3 | 281-294 | ||
| | 19. | Chiapusso, Jan | Bach's Attitude towards History. | MQ | 39 | 3 | 396-414 | ||
| | 20. | Stinson, Russell | Bach's Earliest Autograph. | MQ | 71 | 3 | 235-263 | ||
| | 21. | David, Hans T. | Bach's 'Musical Offering'. | MQ | 23 | 3 | 314-332 | ||
| | 22. | Terry, Charles Sanford | Bach's Singet dem Herrn: A Conjecture. | MQ | 21 | 2 | 125-131 | ||
| | 23. | Terry, Charles Sanford | Bach's Swan-Song ['Vor Deinen Thron']. | MQ | 19 | 3 | 233-237 | ||
| | 24. | Aldrich, Putnam | Bach's Technique of Transcription and Improvised Ornamentation. | MQ | 35 | 1 | 26-35 | ||
| | 25. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. | MQ | 62 | 3 | 313-357 | ||
| | 26. | Derr, Ellwood | Beethoven's Long-Term Memory of C. P. E. Bach's Rondo in E Flat, W. 61/1 (1787), Manifest in the Variations in E Flat for Piano, Opus 35 (1802). | MQ | 70 | 1 | 45-76 | ||
| | 27. | Horne, William | Brahms's Düsseldorf Suite Study and His Intermezzo, Opus 116, No. 2. | MQ | 73 | 2 | 249-283 | ||
| | 28. | Herz, Gerhard | Certain Aspects of the Bach Movement. | MQ | 24 | 4 | 501-511 | ||
| | 29. | Sutcliffe, W. Dean | Chopin's counterpoint: The Largo from the Cello Sonata, Opus 65. | MQ | 83 | 1 | 114-133 | ||
| | 30. | Lee, Douglas A. | Christoph Nichelmann and the early clavier concerto in Berlin. | MQ | 57 | 4 | 636-655 | ||
| | 31. | Walden, Joshua S. | Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich. | MQ | 91 | 3-4 | 379-411 | ||
| | 32. | Mitchell, William J. | C. P. E. Bach's Essay: An Introduction. | MQ | 33 | 4 | 460-480 | ||
| | 33. | Apel, Willi | Early German Keyboard Music. | MQ | 23 | 2 | 210-237 | ||
| | 34. | Lang, Paul Henry | Editorial. | MQ | 36 | 4 | 574-578 | ||
| | 35. | Lang, Paul Henry | Editorial. [About Bach and Handel, and the Old Testament] | MQ | 45 | 2 | 223-229 | ||
| | 36. | Lang, Paul Henry | Editorial (October 1959) [comparison of Bach and Handel]. | MQ | 75 | 4 | 74-80 | ||
| | 37. | Newman, William S. | Emanuel Bach's Autobiography. | MQ | 51 | 2 | 363-372 | ||
| | 38. | Neumann, Frederick | External Evidence and Uneven Notes. | MQ | 52 | 4 | 448-464 | ||
| | 39. | Neumann, Frederick | Facts and Fiction about Overdotting. | MQ | 63 | 2 | 155-185 | ||
| | 40. | Roberge, Marc-André | Ferruccio Busoni, His Chicago Friends, and Frederick Stock's Transcription for Large Orchestra and Organ of the Fantasia contrappuntistica. | MQ | 80 | 2 | 302-331 | ||
| | 41. | Schellhous, Rosalie Athol | Form and Spirituality in Bach's St. Matthew Passion. | MQ | 71 | 3 | 295-326 | ||
| | 42. | Wright, Josephine R. B. | George Polgreen Bridgetower: An African Prodigy in England 1789-99. | MQ | 66 | 1 | 65-82 | ||
| | 43. | Marshall, Robert L. | How J. S. Bach composed four-part Chorales. | MQ | 56 | 2 | 198-221 | ||
| | 44. | Newman, Anthony | Inequality (Inégales): A New Point of View. | MQ | 76 | 2 | 169-183 | ||
| | 45. | Scherchen, Hermann | Johann Sebastian Bach's Last Composition: the Chorale-Prelude Vor deinen Thron tret' ich hiemit. | MQ | 26 | 4 | 467-482 | ||
| | 46. | Pankratz, H. R. | J. S. Bach and his Leipzig Collegium Musicum. | MQ | 69 | 3 | 323-353 | ||
| | 47. | Marissen, Michael | J. S. Bach's Brandenburg Concertos as a Meaningful Set. | MQ | 77 | 2 | 193-235 | ||
| | 48. | Dreyfus, Laurence | J. S. Bach's Concerto Ritornellos and the Question of Invention. | MQ | 71 | 3 | 327-358 | ||
| | 49. | Mansfield, Orlando A. | J. S. Bach's First English Apostles. | MQ | 21 | 2 | 143-154 | ||
| | 50. | Blume, Friedrich | J. S. Bach's Youth. | MQ | 54 | 1 | 1-30 | ||
| | 51. | Buszin, Walter E. | Luther on Music. | MQ | 32 | 1 | 80-97 | ||
| | 52. | Lowinsky, Edward E. | Matthaeus Greiter's Fortuna: An Experiment in Chromaticism and in Musical Iconography. | MQ | 43 | 1 | 68-85 | ||
| | 53. | Neumann, Frederick | Misconceptions about the French Trill in the 17th and 18th Centuries. | MQ | 50 | 2 | 188-206 | ||
| | 54. | Mendel, Arthur | More for the Bach reader. | MQ | 36 | 4 | 485-510 | ||
| | 55. | Brown, Marshall | Mozart, Bach, and Musical Abjection. | MQ | 83 | 4 | 509-535 | ||
| | 56. | Lowinsky, Edward E. | Musical Genius - Evolution and Origin of a Concept. | MQ | 50 | 3, 4 | 321-340; 476-495 | ||
| | 57. | Butler, Gregory G. | Music and Rhetoric in early 17th century English sources. | MQ | 66 | 1 | 53-64 | ||
| | 58. | Boggs, Winthrop S. | Music and Stamps. | MQ | 24 | 1 | 1-10 | ||
| | 59. | Herz, Gerhard | Music for two harpsichords (Musik für zwei Cembali) and German keyboard music of about 1700. | MQ | 63 | 4 | 562-572 | ||
| | 60. | Plamenac, Dragan | New Light on the Last Years of Carl Philipp Emanuel Bach. | MQ | 35 | 4 | 565-587 | ||
| | 61. | Wolff, Christoph | New Research on Bach's Musical Offering. | MQ | 57 | 3 | 379-408 | ||
| | 62. | Lowinsky, Edward E. | On Mozart's Rhythm. | MQ | 42 | 2 | 162-186 | ||
| | 63. | Radin, Herman T. | On Musical Book-Plates. | MQ | 25 | 2 | 135-141 | ||
| | 64. | McIntyre, Ray | On the interpretation of Bach's Gigues. | MQ | 51 | 3 | 478-492 | ||
| | 65. | Aldrich, Putnam | On the Interpretation of Bach's Trills. | MQ | 49 | 3 | 289-310 | ||
| | 66. | Mendel, Arthur | On the Keyboard accompaniments to Bach's Leipzig Church music. | MQ | 36 | 3 | 339-362 | ||
| | 67. | Mendel, Arthur | On the Pitches in Use in Bach's Time. | MQ | 41 | 3, 4 | 332-334; 466-480 | ||
| | 68. | Butler, Gregory G. | Ordering Problems in J. S. Bach's Art of Fugue Resolved. | MQ | 69 | 1 | 44-61 | ||
| | 69. | Neumann, Frederick | Ornament and Structure. | MQ | 56 | 2 | 153-161 | ||
| | 70. | Falck, Robert | Parody and Contrafactum: A Terminological Clarification. | MQ | 65 | 1 | 1-21 | ||
| | 71. | Will, Richard | Pergolesi's Stabat Mater and the politics of feminine virtue. | MQ | 87 | 3 | 570-614 | ||
| | 72. | Mendel, Arthur | Pitch in the sixteenth and early seventeenth centuries. | MQ | 34 | 1, 2, 3, 4 | 28-45; 199-221; 336-357; 575-593 | ||
| | 73. | Godt, Irving | Politics, Patriotism, and Polonaise: A Possible Revision in Bach's Suite in B Minor. | MQ | 74 | 4 | 610-622 | ||
| | 74. | Mendel, Arthur | Recent Developments in Bach Chronology. | MQ | 46 | 3 | 283-300 | ||
| | 75. | Straus, Joseph | Recompositions by Schoenberg, Stravinsky, and Webern. | MQ | 72 | 3 | 301-328 | ||
| | 76. | Anderson, Christopher | Reger in Bach's Notes: On Self-Image and Authority in Max Reger's Bach Playing. | MQ | 87 | 4 | 749-770 | ||
| | 77. | Marissen, Michael | Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. | MQ | 77 | 4 | 718-726 | ||
| | 78. | Jander, Owen | Rhythmic Symmetry in the Goldberg Variations. | MQ | 52 | 2 | 204-208 | ||
| | 79. | Jander, Owen | Rhythmic Symmetry in the Goldberg Variations (April 1966). | MQ | 75 | 4 | 188-193 | ||
| | 80. | Wollny, Peter | Sara Levy and the Making of Musical Taste in Berlin. | MQ | 77 | 4 | 651-688 | ||
| | 81. | Plantinga, Leon B. | Schumann's View of 'Romantic' | MQ | 52 | 2 | 221-232 | ||
| | 82. | Plantinga, Leon B. | Schumann's View of 'Romantic' (April 1966) | MQ | 75 | 4 | 176-187 | ||
| | 83. | Clapp, Philip Greeley | Sebastian Bach, Modernist. | MQ | 2 | 4 | 295-313 | ||
| | 84. | Planer, John H. | Sentimentality in the Performance of Absolute Music: Pablo Casals's Performance of Saraband from Johann Sebastian Bach's Suite No.2 in D Minor for unaccompanied Cello, S. 1008. | MQ | 73 | 2 | 212-248 | ||
| | 85. | Mintz, Donald | Some Aspects of the Revival of Bach. | MQ | 40 | 2 | 201-221 | ||
| | 86. | Isaacson, Charles D. | Something 'Bigger' than the Bethlehem Bach Festivals. | MQ | 7 | 1 | 118-126 | ||
| | 87. | Lippmann, Edward Arthur | Symbolism in Music. | MQ | 39 | 4 | 554-575 | ||
| | 88. | Russel, Carlton T. | The Analysis and Evaluation of Music: A Philosophical Inquiry. | MQ | 58 | 2 | 161-184 | ||
| | 89. | Portnoy, Marshall A. | The Answer to Elgar's Enigma. | MQ | 71 | 2 | 205-210 | ||
| | 90. | Harris, Roy; Norton, M. D. Herter | The Art of the Fugue. | MQ | 21 | 2 | 166-178 | ||
| | 91. | Addington, Christopher | The Bach Flute. | MQ | 71 | 3 | 264-280 | ||
| | 92. | Whittaker, William Gillies | The Bachs and Eisenach. | MQ | 21 | 2 | 132-142 | ||
| | 93. | Rifkin, Joshua | The Chronology of Bach's Saint Matthew Passion. | MQ | 61 | 3 | 360-387 | ||
| | 94. | Erickson, Raymond | The Early Enlightenment, Jews, and Bach. | MQ | 94 | 4 | 518-547 | ||
| | 95. | Butler, Gregory G. | The Fantasia as Musical Image. | MQ | 60 | 4 | 602-615 | ||
| | 96. | Hughes, Edwin | The 'Forty-Eight' from the Player's Standpoint. | MQ | 11 | 3 | 444-453 | ||
| | 97. | Helm, E. Eugene | The 'Hamlet' fantasy and the literary element in C.P.E. Bach's music. | MQ | 58 | 2 | 277-296 | ||
| | 98. | Williams, Peter F. | The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. | MQ | 54 | 4 | 503-523 | ||
| | 99. | Lenneberg, Hans | The myth of the unappreciated (musical) genius. | MQ | 66 | 2 | 219-231 | ||
| | 100. | Salter, Sumner | The Ornaments in Bach's Organ Works. | MQ | 6 | 3 | 392-402 | ||
| | 101. | Neumann, Frederick | The Overdotting Syndrome: Anatomy of a Delusion. | MQ | 67 | 3 | 305-347 | ||
| | 102. | Stevenson, Robert M. | 'The Rivals' - Hawkins, Burney, and Boswell. | MQ | 36 | 1 | 67-82 | ||
| | 103. | Seaton, Douglass | The Romantic Mendelssohn: The Composition of 'Die erste Walpurgisnacht'. | MQ | 68 | 3 | 398-410 | ||
| | 104. | Boyden, David D. | The Violin and Its Technique in the 18th Century. | MQ | 36 | 1 | 9-38 | ||
| | 105. | Horne, William | Through the Aperture: Brahms's Gigues, WoO 4. | MQ | 86 | 3 | 530-581 | ||
| | 106. | Rothenberg, Sarah | 'Thus Far, But No Farther': Fanny Mendelssohn-Hensel's Unfinished Journey. | MQ | 77 | 4 | 689-708 | ||
| | 107. | Marshall, Robert L. | Toward a Twenty-First-Century Bach Biography. | MQ | 84 | 3 | 497-525 | ||
| | 108. | DeWolfe Howe, M. A. | 'Venite in Bethlehem' - The Major Chord. | MQ | 28 | 2 | 174-185 | ||
| | 109. | Boyden, David D. | When Is a Concerto Not a Concerto? | MQ | 43 | 2 | 220-232 | ||
| | 110. | Shanet, Howard | Why did J. S. Bach Transpose his Arrangements? | MQ | 36 | 2 | 180-203 | ||
| | 111. | Serwer, Howard | 'Widrigkeit' and 'Verdriesslichkeit' in Mühlhausen. | MQ | 55 | 1 | 20-30 | ||
| | 112. | Williams, Peter F. | Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. | MQ | 84 | 4 | 756-775 |